Those were extremely exciting, dramatic games. Sakimoto: Probably Radiant Silvergun and Soukyuugurentai.
Of all the shooting game music you've composed, what are the ones you like the most? its very hard give a theoretical explanation. I know it sounds contradictory, but this is based off my personal experience playing shooting games. I try to give players that experience with big dramatic shifts in the music as well.
When you play a shooting game, you're focusing so much that time seems to go more slowly, and combined with small undulations in the flow of the music, as well as your attention being so focused on the screen, one's perception of the music can become very clear and sharp. Sakimoto: Making the music dramatic, through small and large turns in the flow of the song. When you're composing shooting game music, is there anything you're particularly conscious of or careful about? There wasn't really any particular instrument or hardware I always used. Sakimoto: I just used whatever was available to me at the time. Please tell us about the main equipment you use when composing shooting music. Actually I don't like it that much as a game, but the music is astounding. Sakimoto: If I limit it to shooting games, Dragon Spirit. Are there shooting games which have influenced you as a composer? It was very difficult for its time, and when I first cleared the first loop I found myself completely immersed in the game. Sakimoto: I could give countless names, but Tatsujin is personally very memorable for me. Are there any shooting games you particularly enjoy? What was the first shooting game you played? The staff roll song was so moving to us that tears came to my friend's eyes. One thing that left a big impression on me was the first time I saw the ending of "Senjou no Ookami" ]. Game centers at that time had an atmosphere of a place where delinquents gather, but I started hanging out with some cool older kids who were there just because they loved the games. Sakimoto: I was a typical game center kid, but I had been involved with music before that, so my interest in game music was a very normal progression. Please tell us about your childhood, and how you got into music and games. oh, and all my previous translations (and rancor's and others) are archived on the forum here, fyi.īasiscape Team Interviews - Shooting Gameside #1Ģ003 Dodonpachi Daioujou - Ketsui Kizunajigokutachi (Music CD)
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If you find anything I couldn't, feel free to post a link for it.Īnyway, enjoy! I've done most everything from Shooting Gameside #1 now, might try this Steel Empire developer interview next, though its a bit obscure. Probably the most enjoyable way to read this is to listen to the songs mentioned as you go through it. I mainly used youtube, but for a couple things, nicovideo was the only option available. The questions don't go into too much depth, but I've tried to link to the songs mentioned whenever possible. The other composers just haven't done as much. but unless you really love the Daifukkatsu and Deathsmiles IIX soundtracks, the first 3 interviews with Namiki, Sakimoto, and Iwata will likely be most interesting. The questions focus on their shmup compositions. Someone requested this, and it was pretty quick to translate since most of the questions are repeated for each member. This is the 8 member Basiscape interview from Shooting Gameside #1.
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